Appearance improvements and graphic styles
The other efficiency improvement that I am thankful for is the revised Appearance panel. I’ve always been surprised by the number of designers who don’t know what the Appearance panel is forâ€”the panel is essential for handling multiple strokes and fills. The panel has been revised to the point that it’s now comparable to Photoshop’s Layers panel, except it coordinates object elements instead of document layers.
The Appearance and Graphic Styles panels together allow good control over styling objects with a variety of strokes, fills and effects.
As with the Appearance panel in previous versions, you can add new strokes, fills and effects or revise existing ones. Now you can also enable and disable any of these on the fly, and the Select â€“> Same menu allows you to select objects with the same appearance or appearance attributes. The panel has also been enhanced with attribute links so you don’t have to double-click them to revise them. These are small improvements but very helpful. I’ve always recommended designers keep their Appearance panel visible at all times, and now it’s even more important.
Because of the Appearance panel improvements, graphic styles are now easier to handle as well. Designers can select an object with a graphic style and revise that style with the Appearance panel. Moreover, graphic styles can now be added to objects in combinationâ€”which opens up a world of complex styles based on smaller styles. Designers can build and maintain libraries of effect styles, color styles and suchâ€”and combine them with objects to create larger effects easily. This is the fundamental structure of other styling paradigms such as CSS in web design, and it could be very useful for organized designers.
Quick Tip: Press the Control key (Mac) or right mouse button (Windows) to view larger previews of your graphic styles in the Graphic Styles panel.
Other features: Separations Preview, clipping masks and Smart Guides
Clipping masks are more intuitive than everâ€”only the clipped area is shown.
There are a few other features new to Illustrator CS4:
- The Separations Preview panel that InDesign has had for a few years makes its debut in Illustrator CS4. This is a handy tool for preflighting files before sending them to the printer.
- Kuler and Live Color add some color combination tools, allowing some cool methods for recoloring artwork based on color schemes from the Kuler community.
- Clipping masks now show just the clipped area, which is more intuitive for me. In the past I’ve tended to use opacity masks instead of clipping masks, but I may rethink my techniques due to this improvement.
- Smart Guides have been tweaked to support artboard alignment, X-Y coordinate cursor displays (just like InDesign CS4) and guides that now align with object edges rather than the cursor itself.
The Separations Preview panel has been a part of InDesign for a long time. Now it’s a part of Illustrator CS4 as well.
These are all generally small tweaks that will benefit some users but don’t really get the attention of other groundbreaking features. I’d say that Illustrator CS4’s multiple artboard feature is the only new feature that really qualifies in that regard, though there are a few that make Illustrator CS4 a clear step beyond its predecessor.
Illustrator CS4 is a nice upgrade, but I’m not sure it justifies its cost. It makes more sense for Creative Suite users, who can consider the improved features as part of the whole decision to upgrade to CS4. I am actually a little nostalgic for the days when a new version of Illustrator, Photoshop, InDesign and other Adobe apps meant major new changes in the way I worked. The last Illustrator features that really got me excited were Live Paint and Live Color. Illustrator CS4 offers multiple artboards, which does get me excited, but the rest of the package is merely goodâ€”not great.