REVIEW: Karen Sperling’s Painting for Photographers: Landscapes

Karen Sperling wrote the first Corel Painter manual when the program debuted in 1991 and can be considered one of the very first evangelists of that product, which is still the gold standard of digital painting applications. So I was excited when she contacted me to request a review of her Painting for Photographers, Volume 2: Landscapes DVD.

This two-hour set of lessons covers watercolor and oil painting techniques as well as bonus lessons on oceanscapes and cityscapes. Karen has been painting in Painter for a long time and her training and technique are smooth and confident. She has a painting method that works very well and is based on painterly techniques like building up color and developing the whole canvas first before focusing too much on specific regions. All the lessons are begun from photos rather than en plain air and the photos are included on the DVD, so users can train with the same material after watching the lessons.

I also appreciate the inclusion of art history into the lessons. Karen explains basic painterly concepts by showing works by Hopper and Cézanne, among others. Digital painting straddles the fields of digital art and traditional painting, and you can’t achieve your best work without being versed in both fields.

There are a few aspects of the lessons that I think can be improved. The lessons provide a variety of techniques and examples, but I also some repetition: for example, there’s not a lot of difference in technique between cityscapes and oceanscapes. Also, the paintings that Karen creates in this DVD don’t seem to have much detail. For example, one lesson has a dockside scene with various boats. The final painting is missing almost all of the boats’ masts and rigging, as well as details on the buildings in the background. I would like Karen to demonstrate how these details can be created in Painter because I think they enhance the final quality of the work.

While the content and the delivery is good, I think the production quality of the DVD can be improved. Here are some of the things that bothered me:

  • The lessons feel like they are in a PowerPoint format, with title cards often cutting into the flow of the video. Text overlays and more use of the lower third of the screen would be a better solution.
  • There is a lot of background music being used, and it was louder than Karen’s voice so I had to use volume control quite a bit. She acknowledged the unbalanced sound and plans to correct it on future releases.
  • I also thought some of the music was distracting and would like to hear something less obtrusive.
  • Sometimes Karen would use graphic elements like a color wheel to demonstrate techniques and principles. I think this is very good but it looks like Karen illustrates her points by literally drawing on the graphic in Painter with a hard brush. It looks pretty cheap—a more slick presentation can be created in After Effects or even Photoshop with not much extra effort. I think top-notch production quality is particularly important for digital artists.
  • A lot of the lessons consist of Karen painting in between her lecturing. This is where users get to see Painter in action, but most of the time it is sped up and Karen lets us see only a quick progression of the painting process. We can see Painter settings and the color panel dart in and out of view but can’t discern much other than that. Showing the entire painting process in real time is obviously not feasible, but I would like to see more focus on Painter and how to work with the application.

Painting for Photographers, Volume 2: Landscapes
Karen Sperling
US $139.95
Rating: 7/10

One thought on “REVIEW: Karen Sperling’s Painting for Photographers: Landscapes

  1. Excited to learn more advanced techniques, I subscribed to Karen Sperling’s newsletter about a year ago for which she charged $10/month. I had taken a college class and fallen in love with the program and was excited to advance. I was very disappointed in the procedural aspect of the newsletters. I felt they did not contain enough information to help me through any of the techniques she proferred. I sporadiccally received issues of the promised newsletters although she continued to charge my paypal account. At one point, she sent a mass e-mail saying that she was behind in newsletters and promised to catch up. She did not. Feeling I was not receiving value for my money, I unsubscribed in October 2011. My account was charged once again in November 2011 with no newsletter. Realizing that it can sometimes take time to remove someone from a subscription list, I allowed the charge. In December 2011, she once again charged my account, and again there was no newsletter. I filed a dispute with paypal and took the extra step of writing to her asking her to please unsubscribe me. She responded with not one, but two long extremely ugly e-mails. I was shocked and wrote back that if I had known she had such a bad attitude, I would never have subscribed in the first place which triggered two more extremely accusatory e-mails stating that I had accused her of fraud. I never used those words. I had simply disputed the charged asked paypal to not allow any more charges from her or Artistry. After she stated the word fraud, I realized it is. She did not repay my money, and I let it go. I thought the matter was settled and no more charges would ensue, but in February 2012 she once again charged my paypal account. I filed a dispute, and her response in capital letters was, “JANE GULLETT DOES NOT KNOW HOW TO FOLLOW DIRECTIONS. HOW MANY TIME DO I HAVE TO TELL YOU TO UNSUBSCRIBE?” My response was to ask, “How many times does it take to get you to stop charging my account?” I would strongly advise against subscribing to her newsletters or buying any of her products. She is not a nice person.

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