Eib Eibelhaeuser’s The Art of Photographic Lighting is an interesting book and not the typical book that I see written for photographers. Many books about photo lighting focus on the fieldwork—lighting setups, equipment, handling natural light and other details. The Art of Photographic Lighting is part history book, part art theory book and part photo lighting book. I’m not sure whether this is a good or a bad thing.
Eib’s writing style is clean and clear, which I appreciate. There aren’t many anecdotes or stories from the field, so the writing is not very vivid or interesting like other photographers’ books. (Joe McNally’s books on lighting are practically the opposite.) I also was somewhat disappointed that there wasn’t more actual writing in the book: subjects are sometimes given just a few pages, and the pages often have plenty of white space and photography. The book design is nice and clean, but there is not as much content as I’m used to.
The content is solid. Eib is knowledgeable about many different aspects of photography lighting, including light bulb structure and history, flash configurations, color temperature, and quality of natural light at different times of day. I liked the chapters on natural light the best, and sections were well-defined (“Day,” “Night,” “Indoors” and more). As mentioned above, The Art of Photographic Lighting does not dive deep and these subjects aren’t always covered in detail.
Many pages in The Art of Photographic Lighting are devoted to photography, but quite a bit of it is bland and not very memorable. They do a good job of illustrating the lighting principles described in the text, and the images are technically good, but they are really just not too imaginative, exciting or artistic. I’m not sure how I feel about this because The Art of Photographic Lighting seems more of a textbook and the images do their job. Maybe Eib should strive to find or make images that do more than that.
Ultimately, like I mentioned above, The Art of Photographic Lighting is a good example of a textbook on photographic lighting. Its spare, clean style and comprehensive survey of lighting history and composition make it a very useful guide. However, I think the artfulness of lighting is lost and there’s very little text that sparks the imagination. That should be added to this book if it is ever given a second edition.